sábado, 30 de septiembre de 2006


Autor: Ludwig van Beethoven
Año: 2002

Dentro de este circuito fílmico, no es necesario escarbar y profundizar sobre la temática, sobre la originalidad ni tampoco por su distorsionada estructura, porque ya es algo repetitivo. Como ya lo saben, en esta sección se habla de la banda sonora, hablamos del personaje fantasma que se encuentra en el film, que es la música.

Y hablando de la música, en este capítulo, la mano de obra pertenecería al compositor Thomas Bangalter, que nos envuelve en una locura frente a las imágenes del film. Se destaca, fuera de las melodías enfermizas, un tema que pertenece al astro de la música clásica, Ludwig van Beethoven, donde Bangalter recompone una de sus obras, la llamada “Sinfonía No. 7 en La Mayor Op. 92” convertida en un extracto de 3:32 minutos.

Noé nos presenta al término del film a la escultural Monica Belucci en un ensueño familiar, su vida placentera disfrutando de los niños que juegan por el césped, una imagen digna de belleza. Lo que se deja entrever, es la historia detrás y conocida por el film, en conjunto con esta música placentera en un inicio, y unos violines iracundos y enardecidos al término de este, en una estructura visualmente en espiral.

Noé nos quiere enfermar al término del film, nos quiere clavar en nuestra alma con esta melodía, nos quiere meter dentro de su maquiavélica originalidad y dejar que la música de Beethoven nos eleve a la cúspide del cine, o mejor dicho, a la cúspide del tiempo. Esto es lo que la gran Sinfonía No. 7 provoca en un pobre crítico como yo, y espero que Beethoven los vuelva más enfermos de lo que vivimos en el día de hoy. Señoras y señores, recomiendo que no pierdan el tiempo, para ustedes… “La Sinfonía No. 7 en La Mayor Op. 92”.

(Esteban Font R.)

Porque el tiempo lo destruye todo
Porque algunos actos son irreparables
Porque el hombre es un animal
Porque el deseo de venganza es un impulso natural
Porque la mayoría de los crímenes quedan sin castigo
Porque la pérdida del amado destruye como un rayo
Porque el amor es el origen de la vida
Porque toda la historia se escribe con esperma y sangre
Porque en un mundo bueno
Porque las premoniciones no modifican el curso de los acontecimientos
Porque el tiempo lo revela todo
Lo mejor y lo peor.

Track 15: Sinfonía Nº7 en La Mayor Op.82
Autor: Thomas Bangalter
Intérprete: Ludwig van Beethoven

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Track List:
1. Irreversible
2. Tempus Edax Rerum
3. G. Malher
4. Rectum
5. Night Beat
6. Stress
7. Paris By Night
8. Outrage
9. Outrun
10. Spinal Scratch
11. Extra Dry
12. Desaccords
13. Ventura / Into The Tunnel
14. Mon Manege A Moi
15. L.V. Beethoven – Excerpts From Symphony Nº7 in Major OP.82
16. The End

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